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:: Saturday, February 28, 2004 ::


Tomorrow, Sunday, The Oscars.
I hadn't put a picture up in a while, and the page was starting to look barren, so in honor of the oscars, this is the poster for the 1962 event.
They were on Mondays then. And in April.
Remember?
:: Michael Nyiri 6:59 PM Leave a Comment on this Post ::
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Finally caught up with "Something's Gotta Give" this past weekend. Title is always confusing me, becuase of course, there is already a 1962 movie called "Something's Got to Give" which of course was the unfinished film Marily was working on at the time of her death. "Something's Gotta Give" is Nancy Meyer's humorous and touching take on middle age romance, with Jack Nicholson, who's getting better as he gets older, and Diane Keaton, who is now (along with Charlize Theron) my pick for Best Actress this Sunday night. Diane is lustrous, exciting, and still beautiful. (Major female stars of the seventies, as they age, usually pile on the botox and collagen, to somewhat startingly frightening effects. Witness Goldie Hawn, for example, who tends to look these days like the character she played in Zemeckis' "Death Becomes Her". But Diane Keaton has "aged well" and still looks beautiful. I've always said that Susan Sarandon is the most beautiful 53 year old gal I've ever loved, and Diane Keaton certainly gets my vote for the most beautiful 58 year old.
The film is one I would recommend to anyone, but especially to aging boomers like me. It rekindles one's belief in romance. It's funny. It's warm and has a feel good feeling to it. Something that most major films in 2003 certainly didn't offer.
"Monster" for instance, with the aforementioned Theron, is almost too painful to watch. The denoument of "Cold Mountain" is really chilly. And even though "Mystic River" is a great work of art, it isn't light comedy that's for sure.
"Something's Gotta Give" gets a 9 of 10 on the Mikometer.
:: Michael Nyiri 8:54 AM Leave a Comment on this Post ::
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:: Tuesday, February 24, 2004 ::
Oscars this Sunday.

Actor in a leading role
Sean Penn in "Mystic River" (Warner Bros.)

Actor in a supporting role
Tim Robbins in "Mystic River" (Warner Bros.)
(Should have won a nomination and the best performance is Andy Serkis in "Return of the King"

Actress in a leading role
Either, or perhaps a tie:
Diane Keaton in "Something's Gotta Give" (Sony Pictures Releasing)
Charlize Theron in "Monster" (Newmarket Films)

Actress in a supporting role
Renée Zellweger in "Cold Mountain" (Miramax)

Animated feature film
"Finding Nemo" (Buena Vista)

Art direction
"The Lord of the Rings: The Return of the King" (New Line)
Art Direction: Grant Major
Set Decoration: Dan Hennah and Alan Lee

Cinematography
"Cold Mountain" (Miramax) John Seale

Costume design
"The Lord of the Rings: The Return of the King" (New Line) Ngila Dickson and Richard Taylor

Directing
"The Lord of the Rings: The Return of the King" (New Line) Peter Jackson

Film editing
"Seabiscuit" (Universal/DreamWorks/Spyglass) William Goldenberg

Makeup
"The Lord of the Rings: The Return of the King" (New Line)
Richard Taylor and Peter King

Music (original score)
"The Lord of the Rings: The Return of the King" (New Line) Howard Shore

Music (original song)
"Into the West" from "The Lord of the Rings: The Return of the King" (New Line)
Music and Lyric by Fran Walsh and Howard Shore and Annie Lennox
Should win:
"A Kiss at the End of the Rainbow" from "A Mighty Wind" (Warner Bros.)
Music and Lyric by Michael McKean and Annette O'Toole

Visual effects
"The Lord of the Rings: The Return of the King" (New Line) Jim Rygiel, Joe Letteri, Randall William Cook and Alex Funke

Adapted Screenplay
"The Lord of the Rings: The Return of the King" (New Line) Screenplay by Fran Walsh, Philippa Boyens & Peter Jackson

Original Screenplay
"Lost in Translation" (Focus Features) Written by Sofia Coppola


Best picture
"The Lord of the Rings: The Return of the King" (New Line)
A Wingnut Films Production
Barrie M. Osborne, Peter Jackson and Fran Walsh, Producers


This time I have most of them. Trust me. The beginning of a winning streak. You can bet on it. Go ahead.
:: Michael Nyiri 6:38 PM Leave a Comment on this Post ::
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:: Saturday, February 21, 2004 ::
I just rented "Open Range", as it has been "rented out" at Hollywood Video. This is one I will eventually own. I watched the "shootout scene" in toto twice over the past two days. This is a magnificent film, and a great western, with nods to everyone from Sergio Leone, to Clint Eastwood, to John Sturges, to John Ford, to Sam Peckinpah. Kevin Costner is fantastic, and he did win an Oscar, it might be remembered, for "Dances with Wolves". Kevin, as Charlie Waite, Robert Duvall as "Boss" Spearman, Annette Bening as Sue Barlow, Michael Gambon, Michael Jeter. The cast is magnificent. The scenery, shot by James Muro, who steadicamed on "Titanic", and "X2" among other films, is lush and painterly. The production design, by Gae Buckley, always lets the viewer know exactly where he is in regards to location in the town. It seems somewhat futile to mention this, but why didn't "Open Range" get nominated for any Oscars. Kevin is a past winner. The film is much more than the "standard oater". I am always looking for good westerns, and this shall be a classic. I can't get enough of "Open Range." My roommate even liked it, and he doesn't like anything.
:: Michael Nyiri 8:26 AM Leave a Comment on this Post ::
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:: Tuesday, February 10, 2004 ::
Much has been said about the fine film "Bend It Like Beckham" which I finally got around to seeing. I love sports movies which take me somewhere I haven't been, because I don't particularly like sports. This is more a "culture clash" movie, and ties in with my Bollywood tastes, being the tale of 'Jess' Bhamra, a Indian girl living in England who happens to be a fantastic soccer player, but is stuck in a "traditional" family, who do not think it proper for her to pursue her dreams. Directed by Gurinder Chadha, this is a heartfelt movie which, like "Real Women Have Curves", takes the viewer into a foreign subculture, and immerses us in this culture. It's also a neat sports movie, and Keira Knightly is more stunning here than in "Pirates of the Caribbean. "
:: Michael Nyiri 4:14 PM Leave a Comment on this Post ::
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:: Wednesday, February 04, 2004 ::
I don't think I can honestly call myself a "movie buff" after seeing the documentary "Cinemania", one of the gems I picked up through Netflix. Jack, Eric, Bill, Roberta, and Harvey are the true "movie buffs" or "cinemaniacs". Not satisfied with "real life", this group of eclectic cinefiles forsake human relationships, family, work, etc. for the hectic life of a true cinemaniac. The documentary follows these people, who harbor a need to see at least three to five movies a day, in theaters, and not on video. Thier tastes are eclectic. They like foreign films and classic b&w's but they see them in art theaters in New York City. I don't even think there could be this subculture in L.A. We don't have enough theaters showing classics on a regular basis, besides Landmark theaters, the Bing, and the Egyptian. New Yorkers have quite a pallete to choose from, and this is a film I couldn't take my eyes off of. Roberta, the only female, is an outspoken individual, who gets impressively peeved if anyone "misunderstands" or "disagrees" with her tastes. Harvey collects film soundtracks on vinyl, but doesn't have a turntable on which to play them. Jack is the "main narrator" and seems to be the most "sane" (that's the best way to put it.) But all these guys are pretty weird. Harvey, for example, knows the running time of every film he sees, and gets upset at the projectionist when the film runs over or under. Don't even think of digital video with these folks. I was awestruck at this document of a subculture I guess I knew existed, but didn't really know about. I recommend it highly for anyone who considers themselves a movie buff.

:: Michael Nyiri 5:00 PM Leave a Comment on this Post ::
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:: Sunday, February 01, 2004 ::
This past week I saw a couple of John Frankenheimer flicks which I Tivo'd from Turner Classic Movies. "Birdman of Alcatraz", which is probably thought of along with "The Manchurian Candidate" when the director's name is mentioned. And "The Young Savages" sort of like "West Side Story" without the dancing and music. "Savages" is from 1961, and "Birdman" from 1962. Both star Burt Lancaster. Both are excellent. I hadn't seen "Birdman" since I was a kid. "Savages" tells an inner city youth tale, from a book by Evan Hunter, who wrote the similarly themed "Blackboard Jungle". Burt gets to laugh in "Savages" Hahahahaha. But as lifetime prisoner and bird buff, he's mostly very serious. Frankenheimer started as a television director, and his "signature" shot would have to be where one character is in almost closeup near the front of the screen, and another or a group of others is behind, yet still in focus. He likes to frame from below eye level, with the camera looking "up" at it's subjects. He also filmed wild car chases, but there aren't any in either movie I just lensed. "Birdman' looks wonderful in letterbox, even though it is only 1:85 to 1 because of the framing. Burt's performance is mannered, and wonderfully bristly. He's a D.A. in "Savages" in which he chews a bit more scenery.

I also saw "Thirty Seconds Over Tokyo" with Spencer Tracy as James Doolitle, and starring Van Johnson, Robert Walker, Don Defore and Phyllis Thaxter. Robert Mitchum shows up as another pilot. Just as exciting as I remember. The "real" footage and the staged footage, in b&w WWII era films (this one from 1944, and propaganda all the way) are matched rather well. It has one of moviedom's most quoted lines. "Why are you so cute?" " Because I had to be" spoken by Phyllis and Van.

I never tire of seeing the old b&w films on my "silver screen". One of the main reasons why I keep ahold of the "square" bigscreen television is for the old square gems of the silver screen.

Oscar fever is now upon us. I've now read two articles in the LA Times about Andy Serkis since the noms. One mentioned that there had been some buzz in the Hollywood community about nominating him for best supporting actor (I'm giving the nod to Tim Robbins in his absence) and one was a plug for a book he wrote about the experience of "acting" Gollum. I can hardly wait for the first nominated performance that was done in the computer. That will legitamize the process.
:: Michael Nyiri 7:30 PM Leave a Comment on this Post ::
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